© FAKESHEMP.NET
  • Home
  • Reviews
  • MEDIA
    • Videos >
      • Photos
  • GLG
  • Blog
  • Interviews
  • WTF was that?
  • Good Movie Monday
  • About

RIDE LIKE A GIRL

22/9/2019

0 Comments

 
Picture
2019 | DIR: RACHEL GRIFFITHS | STARRING: TERESA PALMER, SAM NEILL, STEVIE PAYNE | REVIEW BY ALEX MAYNARD. 

Picture
When Michelle Payne won the 2015 Melbourne Cup, I remember being surprised upon learning a female jockey hadn’t won before. As it turns out, Payne was only the fourth woman to even ride in the race throughout its then 155-year history. RIDE LIKE A GIRL is not just an account of Payne’s journey, but a pointed takedown of the industry politics and misogyny which most of us never see in the glamorous TV coverage of race day. Although blending a traditional biopic structure with such an overtly critical edge is an ambitious move, this film pulls it off perfectly.


Perhaps the greatest advantage for writers Andrew Knight and Elise McCredie is that Payne’s life prior to finding fame is inherently fascinating. The youngest of ten children raised by a widowed father (Sam Neill), Michelle grew up surrounded by horses and quickly developed a keen love for them. Simultaneously, the Payne clan are all shown to be devoted fans of racing; their kitchen even has a whiteboard listing everyone’s scheduled events, including track, horse and placing. While these early scenes are charming, I was pleasantly surprised by the script’s brisk pace which gives each moment the right amount of focus. For instance, seeing a young Michelle (Summer North) watch the Melbourne Cup on TV at school is a sweet display of her passion, but rightly isn’t lingered on as a significant event. 


RIDE LIKE A GIRL really hits its stride in the second act as Michelle reaches the end of high school. Having watched seven siblings embark on careers as jockeys with varying levels of success, the youngest Payne wants nothing more than to begin her own. Teresa Palmer takes over the role of Michelle from here onwards and is simply brilliant, capturing the palpable frustration of being told she’s not ready and receiving often contradictory advice. When Michelle later moves to Melbourne, neither Palmer nor the script idealise the struggles faced by female jockeys looking for their start. The film takes lengths to show just how little confidence trainers have in women’s abilities, even when they come from well-known racing families. In fact, one trainer openly offers Michelle work in exchange for sex. While this is (hopefully) a composite character, the anger and devastation on Palmer’s face affirm the unfortunate relatability of institutional chauvinism. 

Picture

Alongside Palmer, Sam Neill is a standout as the laconic Paddy Payne. In my opinion, Neill is an actor who often appears to simply be playing himself rather than fully immersing into a role. I don’t mean this as an insult, merely a comment on how easily his offscreen charisma is transplanted into a film. His turn as Paddy is no exception, exuding warmth and affection even during arguments with his children. However, when a horrific injury sees Michelle hospitalised and comatose, Neill also reaches impressive emotional depths. Paddy’s regret at their strained relationship, fear of losing a child and cautious optimism during her recovery are heart-wrenchingly clear. Similarly, Palmer’s convincing portrayal of the physical and emotional toll of the accident make these scenes utterly compelling yet hard to watch. 

Thankfully, the presence of Stevie Payne offers some moments of levity. Given how often Stevie appeared in the real-life coverage of Michelle’s victory, it’s fitting that he’s also such a central figure here. The less obvious choice is to have Payne play himself, which could’ve come across as stunt casting in the hands of a less capable actor. From his first moments onscreen Stevie feels like a natural choice, often providing the film’s biggest laughs with excellent comedic timing and a laidback attitude. He also inadvertently leads Michelle to Prince of Penzance, the horse she would ultimately ride in the Cup. 

Although the character-driven moments in RIDE LIKE A GIRL are where it shines, the horse racing sequences deserve to be singled out for their incredible camerawork. Indeed, the sheer level of choreography required for these to work is likely on par with an action film, and just as entertaining. Director Rachel Griffiths shows a clear consideration for which angles to focus on, shifting frequently from behind the horses’ legs, to a camera on the back of a horse looking back at riders, to anxious spectators. There’s even footage from the actual 2015 Melbourne Cup broadcast seamlessly woven into the film during its climactic final race! 

​Considering how much I loved about this film, my one issue with it feels relatively minor. Nevertheless, I always relish the chance to complain about how restrictive the biopic genre can be. Most egregiously, Griffiths and the writers evidently couldn’t decide which cliché opening they wanted to use: a montage of footage featuring the real-life subject, or a time jump to quickly preview the emotional climax. As a result, we get both a selection of Payne family home videos, and a brief scene of Palmer as Payne at the starting gates of the Melbourne Cup. This is not only uninspired, but abrupt and confusing. After all, most people who watch RIDE LIKE A GIRL will already know how it ends. It’s a testament to the film, and Michelle Payne herself that the story preceding it is so engaging and triumphant. ​
​
Picture
0 Comments



Leave a Reply.


    OUR WRITERS
    GLENN COCHRANE
    ALYSSA DE LEO
    ALEX MAYNARD
    CHRIS THOMPSON
    SAMANTHA HOWSON​
    Picture

    RSS Feed

    Archives

    July 2022
    June 2022
    May 2022
    April 2022
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    July 2011
    June 2011
    May 2011
    April 2011
    March 2011
    February 2011
    January 2011
    December 2010
    November 2010
    September 2010
    April 2010

    RSS Feed

© 2018 FakeShemp.Net    All rights reserved.  FakeShemp.Net Illustrations by MJ Barros. 
  • Home
  • Reviews
  • MEDIA
    • Videos >
      • Photos
  • GLG
  • Blog
  • Interviews
  • WTF was that?
  • Good Movie Monday
  • About